Spectre of a Distant War
1991
Polychromed Found Wood/ Dowels
24"H x 14"W x 6"D

 


Spectre of a Distant War and Esoteric Vision express two sides of the same human condition -- in the most immediate way: both were cut from the same piece of wood, and express the opposing sides of human nature. I did not know how well until later.

The eyes were startling in the wood; and by cutting just below them, I created a jaw. I noted in my notebook at the time that it was very reptilian, resembling "the head of a lizard."

Some time before its creation, I had visited the Museum of Holography in NYC, and brought home a small holographic picture. I saw in this piece a way to represent a holographic I. D. card -- for an extraterrestrial from a place dominated by ravenous reptiles.

True to the concept, the card contained the scannable numbers of a bank check. The piece was named Boole Xynon III: Hyper-Galactic I.D. Card.

But "Operation Desert Storm" had commenced shortly after the piece was finished, and its name changed variously to Spectre of a Desert Storm and Spectre of a Distant War. Did the numbers now represent a soldier's military service number -- the number of troops committed to the war -- or the number of deaths of soldiers and civilians alike?

It so well captured the reptilian brain of the modern human, with our continuing, unremitting passion for war and destruction. A perfect reflection, in a dark pool, of Esoteric Vision.

 

 

 

W. Logan Fry Spectre of a Distant War Spectre of a Desert War 1991 Polychromed Found Wood Dowels Operation Desert Storm Conservation by Design Museum of Art Rhode Island School of Design, Providence R.I. RI 1993

Exhibition History:
Conservation by Design, Museum of Art, Rhode Island School of Design, Providence, R.I. (1993); The Truth of False Faces, Sandusky Cultural Center, Sandusky, OH (1992); Across the Board, Canton Art Institute, Canton, OH (1991); Two-Artist Show with Barbara Bachtell, 9th Street Studio, Cleveland, OH (1991)